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The Girdle of Hyppolita is a short story by Agatha Christie which was first published in the U.S. in This Week in September 1939. In the U.K. it was first published in The Strand Magazine in July 1940. In 1947, the story was grouped with 11 others, a foreword was added, and the whole collection published as The Labours of Hercules.

The setting is on the eve of one of Poirot's many planned retirements. He wants his crowning achievement to be a series of 12 cases which he will specially selected to match those of the Twelve Labours of Heracles in Greek mythology. In the sequence of the labours pursued by Poirot, The Girdle is the ninth of twelve. It is preceded by The Horses of Diomedes and followed by The Flock of Geryon.

SynopsisEdit

A gallery owner asks Poirot to help retrieve a stolen Rubens painting. Poirot is reluctant to be involved in what appears to be a simple robbery but takes it on because of the subject of the painting. Japp, who hears that Poirot is going to Paris for this case, asks him to also look into the case of an English schoolgirl who disappeared on a train to Paris. As Poirot is fond of saying, one thing leads to another.

Plot summaryEdit

(may contain spoilers - click on expand to read)

Alexander Simpson asks Poirot to help in the investigation of a painting by Rubens which was stolen from the gallery that he owns. A group of unemployed men were paid to carry out a demonstration in the gallery which, once it was cleared by the police, was found to have been a diversion to enable the picture to be cut out of its frame. Simpson knows the picture is being transported to France where it will be bought by a millionaire collector and he wants Poirot to assist as he thinks he will be better at dealing with an unscrupulous rich man than the police will be. Poirot reluctantly agrees to help.

He is far more interested in a case that Japp has about Winnie King, a fifteen-year old English girl who was being escorted to Paris as one of a party of such girls for the new term at Miss Pope's exclusive school there. On the way back from the dining car of the train, just after it left Amiens (the last stop before Paris), Winnie King went into the toilet and seemingly vanished. No body has been found by the side of the tracks and the train made no other stops, only slowing down for a signal; however, Winnie's hat was later recovered near the tracks. Poirot asks if her shoes have been found.

Some time later, Japp phones Poirot and tells him Winnie has been found about fifteen miles from Amiens. She is in a daze, has been doped according to the doctor who examined her, and is unable to remember much after setting off from her home town of Cranchester. She remembers nothing of meeting one of Miss Pope's staff, Miss Burshaw, in London over the trip over the channel. Despite the girl being found, Poirot speaks with Detective Inspector Hearn, who has been dealing with the case and is no nearer to solving the mystery of how the girl disappeared. The only other people in the carriage seemed clear of suspicion – two middle-aged spinsters, two French commercial travelers from Lyon, a young man called James Elliot and his flashy wife, and an American lady about whom very little is known. He is able to confirm that Winnie's shoes were found by the rail line which confirms Poirot's theory.

Poirot goes to France and visits Miss Pope's establishment at Neuilly. The formidable headmistress tells Poirot of the advantages of her school being close to the music and culture of Paris. He hears how two sets of Parisian police asked to search through Winnie's trunk, neither seemingly having spoken to the other, and sees a badly painted picture in oils depicting the bridge at Cranchester, executed by Winnie as a present for Miss Pope. In front of the startled woman, Poirot begins to scrub the picture with turpentine whilst telling her that Winnie never made the trip across to France. Miss Burshaw met a girl in London whom she had never seen before, and who then totally changed her appearance in the toilette on the train, discarding the schoolgirl hat and shoes through the window and transforming herself into the flashy wife of James Elliot. At the same time, Poirot has stripped away Winnie's "dreadful" painting to expose a second one beneath it: the Girdle of Hyppolita, the missing Rubens masterpiece. The thieves used the trick of smuggling the painting in an escorted schoolgirl's trunk, knowing such a thing would never be searched by customs, and one of the gang then threw off her disguise of a plain schoolgirl. Other members of the gang, disguised as policemen, could search the trunk later and retrieve the painting. They did not know that Miss Pope, who insisted on trunks being unpacked upon arrival, would find the "present" and take possession of it immediately. When Poirot leaves, the girls swarm around him asking for his autograph which Poirot refers to as the attack by the Amazons.

CharactersEdit

LocationsEdit

  • Calais
  • Amiens
  • Gare du Nord
  • Neuilly

Research notesEdit

Film, TV, or theatrical versionsEdit

Agatha Christie's PoirotEdit

A television film with David Suchet as Poirot was produced as episode 4 of Series 13 of the ITV series Agatha Christie's Poirot, first broadcast on 6 November 2013. The themes from several stories in the collection, including The Girdle of Hippolyta were woven loosely together for the plot of the film.

Publication history Edit

  • 1939 This Week, (New York), 10 September 1939 - as "The Disappearance of Winnie King"
  • 1940 The Strand Magazine, Issue 595 (London), July 1940 with illustrations by Ernest Ratcliff, as "The Girdle of Hippolyte"
  • 1947, The Labors of Hercules, Dodd Mead and Company (New York), 1947, Hardback, 265 pp
  • 1947, The Labours of Hercules, Collins Crime Club (London), September 1947, Hardback, 256 pp
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